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| Name | Caption |
|---|---|
| New Scene Folder | New input scenes folder |
| Existing Mosaic Folder | Existing mosaic folder |
| Output Mosaic Project | Mosaic project file to create |
| New Scene Order | New scene order |
| NoData Value | NoData value |
| Overwrite Results | Overwrite existing results |
| Normalization Method | Normalization method |
| Normalization Method Extra Options | Normalization options |
| Color Balancing Reference Image | Color-balancing reference image |
| Local Color Balance Mask Layer | Local color-balancing mask layer |
| Local Color Balance Mask Segment | Local color-balancing mask segment |
| Global Color Balance Mask File | Global color-balancing mask file |
| Global Color Balance Mask Layer | Global color-balancing mask layer |
| Global Color Balance Mask Segment | Global color-balancing mask segment |
| Cutline Method | Cutline method |
| Cutline Method Extra Options | Cutline options |
| Auto Constrain | Constrain cutlines to image centers |
| Factor | Auto Constrain Factor value |
| Simplify Cutlines | Simplify generated cutlines |
| Simplification Level | Level of simplification |
| Local Cutline Avoidance Mask Layer | Local cutline-avoidance mask |
| Local Cutline Avoidance Mask Segment | Local cutline-avoidance mask segment |
| Global Cutline Avoidance Mask File | Global cutline-avoidance mask file |
| Global Cutline Avoidance Mask Layer | Global cutline-avoidance mask |
| Global Cutline Avoidance Mask Segment | Global cutline-avoidance mask segment |
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New Scene Folder
The path and name of the folder containing new image scenes to add to the mosaic. The input imagery must conform to the preprocessing requirements.
Existing Mosaic Folder
The path and name of the folder containing the existing mosaic tiles to modify.
Output Mosaic Project
The name of the mosaic project file (.mos) to create.
An accompanying folder, with the same base name, is also created. The folder contains auxiliary information that makes up the mosaic project created by the mosaic-preparation process. Unique image IDs are created automatically based on the names of the source files and listed in the project file.
If you have an existing file of the same name, and you want to overwrite it, make sure the Overwrite Results check box is selected. All existing output folders and files will be overwritten.
You can open the output mosaic project in CATALYST Professional Mosaic Tool to enhance the mosaic and perform quality-control procedures.
New Scene Order
Select the order in which to add new image scenes to the mosaic.
NoData Value
The background value of the input images.
A pixel you designate as NoData is excluded from normalization, color balancing, and cutline generation. Images often have NoData defined in their metadata so this parameter can be defaulted.
When you specify a text file as input, you can specify the NoData value of an image in the file. The NoData value specified in the input text file takes precedence over all other sources. When a value is not specified in the text file, precedence is applied to the NO_DATA_VALUE metadata tag of the input image. If NO_DATA_VALUE metadata exists for an input channel, its value is used; otherwise, the NO_DATA_VALUE at the file level is used. Finally, if a NoData value is available in neither the text file nor the metadata, you can specify the value for this parameter.
If necessary, you can enter more than one NoData value for your input images. For example, to specify that channel 1 has a NoData value of -9999, channel 2 is 0, and channel 3 is 255, enter -9999,0,255.
Overwrite Results
Select this check box to overwrite the existing output files, if any exist. If this check box is left clear, and an output file exists in the relevant folder, the status of the job displays a message informing you of the existence and name of the output file. The message is also written to the event log of the job.
Normalization Method
The normalization to apply to each source image before color balancing, cutline generation, or mosaicking.
When Hot Spot is selected as the normalization method, hot spots are removed from the images by normalizing the brightness over the image by fitting a Gaussian surface to the brightness values. It does not remove the smaller spot reflections from lakes, cars, or buildings.
The adaptive filter adjusts the brightness and contrast over local areas, thereby improving image detail, while reducing the bright-and-dark pattern over the entire image. It applies an adaptive enhancement using a moving window to calculate the adjustment for each pixel value. The filter calculates the mean and standard deviation of the gray levels within the window and adjusts the values to match the overall mean and standard deviation of the image. The mean is used to adjust the brightness and the standard deviation is used to adjust the contrast.
Normalization Method Extra Options
When you select Adaptive for Normalization Method, you can define additional options for normalization.
To define the filter size for the adaptive normalization, enter the image_percent value to use
The default is 20 (20 percent).
Color Balancing Reference Image
The path and file name of the low-resolution mosaic image file to use for color balancing. This file is located typically in the mosaic-preparation folder related to the initial mosaic generated, and the mosaic that is being updated.
Local Color Balance Mask Layer
The layer in the input scene to use as the local color-balancing mask to exclude specified pixels from any color-balancing calculations.
Exclusion masks are useful where the same features appear radically different from one image to the other. When an exclusion mask is used for color balancing, image pixels within the masked regions are excluded from color-balancing calculations. A local exclusion mask applies only to the image that contains the mask layer.
Local Color Balance Mask Segment
When Specific Segment is specified for Local Color Balance Mask, this parameter specifies the number of the segment that contains polygons or bitmaps to be used to mask pixels to exclude from the color-balancing computations.
Global Color Balance Mask File
The file used to define a global color-balance mask, which identifies regions in the source images to omit from any color-balancing computation.
A global mask is useful when imagery contains, for example, massive water bodies. The global color-balance mask applies to all images in the mosaic project.
If you specify a value for this parameter, you must specify a value for Global Color Balance Mask Layer.
Global Color Balance Mask Layer
The layer in file specified for Global Color Balance Mask File that contains a global color-balance mask identifying regions in the source images to omit from any color-balancing computation.
Global Color Balance Mask Segment
When Specific Segment is selected for Global Color Balance Mask Layer, this parameter specifies the number of the segment that contains polygons or bitmaps to use to mask pixels during color-balancing calculations.
Cutline Method
The cutline method used to generate polygons that enclose all the data from an image to be included in the output mosaic.
Cutline Method Extra Options
Additional options for Cutline Method.
You can specify options related to constraining polygons, which define regions where cutlines are allowed for each image, so that the generated cutlines do not cross the specified boundaries.
Values you specify for this parameter take precedence over Auto Constrain and Factor.
[<vector_file>], [<field_name>], [<segment_number>]
If the field_name is not specified, MOSPREP searches the vector-segment attributes for a field named ImageSource. If the specified field name or ImageSource does not exist, an error occurs.
If the segment number is not specified, the algorithm uses the last segment from the vector file you specified. If the constraining polygon is larger than the image being processed, cutline generation is not constrained.
Auto Constrain
Select whether and how to automatically generate and apply constraint polygons when creating cutlines. Constraint polygons define regions where cutlines are allowed for each image, so that the generated cutlines do not cross the specified boundaries. You can opt to have them generated automatically based on the layout and arrangement of the images being mosaicked.
You can adjust the effect of Auto Constrain by specifying an appropriate percentage value for Factor.
When a constraining layer is specified for Cutline Method Extra Options, do not use Auto Constrain; that is, select No.
Factor
The Factor is a percentage by which to adjust effect of the Auto Constrain option.
This is a value between 1 and 100, with larger values causing more overlap between the generated constraint polygons; that is, the cutlines is less constrained.
Simplify Cutlines
Selected by default, this check box causes the module to simplify the cutlines for the mosaic. Simplification is to remove unsuitable vertices from the cutline shapes computed initially.
You can use this parameter in conjunction with Simplification Level to set the degree of simplification you want.
Simplification Level
Available when the Simplify Cutlines check box is selected, you can set the level of simplification you want to use.
When the Simpify Cutlines check box is clear, no simplification level is applied. When the check box is selected, a default value of 1.75 for Simplification Level is applied; otherwise, the value you specify is applied.
To create cutlines from all of the vertices computed initially, enter a value of 0. A number greater than zero increases the amount of vector reduction; the cutlines will have fewer vertices. Generally, a value of n results in 1/n of the vertices being computed. For example, a value of 2 results in approximately one half of the vertices.
Local Cutline Avoidance Mask Layer
The layer in the input scene to use as the local cutline-avoidance mask.
A local cutline-avoidance mask is used to restrict specific areas from cutline calculations; for example, to avoid cutlines crossing through clouds. When used, the image pixels in the masked regions are excluded from the cutline calculations wherever possible; if no area is more suitable in which to place a cutline, the cutline passes through the masked region. A local cutline-avoidance mask applies only to the image that contains the mask layer.
Local Cutline Avoidance Mask Segment
When Specific Segment is selected for Local Cutline Avoidance Mask Layer, this parameter specifies the number of the segment that contains polygons or bitmaps to use to mask pixels to avoid when calculating cutlines.
Global Cutline Avoidance Mask File
The file that, in conjunction with Global Cutline Avoidance Mask Layer and Global Cutline Avoidance Mask Segment, can be used to identify common regions in all source images to omit from cutline calculations. When a global cutline-avoidance mask is used, the image pixels in the masked regions are excluded from the cutline calculations wherever possible; if there is no better area in which to place a cutline, the cutline passes through the masked region.
When you specify a value for this parameter, you must also specify a value for Global Cutline Avoidance Mask Layer.
Global Cutline Avoidance Mask Layer
The layer in the file specified for Global Cutline Avoidance Mask File to use as the global cutline-avoidance mask. When no value is specified for Global Cutline Avoidance Mask File, this parameter is ignored.
Global cutline-avoidance masks are used to restrict specific areas from cutline calculations; for example, to avoid cutlines crossing through buildings. When a global cutline-avoidance mask is used, the image pixels in the masked regions are excluded from the cutline calculations wherever possible; if there is no better area in which to place a cutline, the cutline passes through the masked region. A global cutline-avoidance mask applies to all source images that intersect the global mask layer.
Global Cutline Avoidance Mask Segment
When Specific Segment is selected for Global Cutline Avoidance Mask Layer, this parameter specifies the number of the segment that contains polygons or bitmaps to use to mask pixels to avoid when calculating cutlines.
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Preprocessing requirements
Before running this module, the following requirements must be met to ensure the job processes successfully and produces accurate results:
New imagery is orthorectified
The new imagery you are adding must be orthorectified, either by running the Orthorectification module, or by other means.
Mosaic exists
A mosaic must exist already.
Data is homogenous
Typically, you create a mosaic by combining homogenous data. However, you can, if necessary, combine imagery from more than one sensor. If you do so, first consider whether the information is comparable. For example, achieving a suitable output mosaic may not be practical when the bands of the input imagery vary in wavelength.
Reference image available
A reference image is required to color balance the new scenes. Typically, the reference image is the low-resolution mosaic preview created by the mosaic-preparation process run on the existing mosaic. The low-resolution image must exist to run the mosaic-update-preparation process.
Use of local vector masks
If the input imagery contains features that can cause difficluties with color balancing, such as clouds, bright spots, and dark spots, it is recommended that you create local vector masks in the images to cover the areas of difficulty. Doing so can produce better color balancing.
Module details
With the Mosaic Update Preparation module, you can update an existing mosaic by adding new scenes or changing color-balancing and normalization options, among others. The output is a mosaic project (.mos) file, which you can use as input to the Mosaic Update Generation module.
The module does not run in parallel across multiple computers; rather, it runs on a single computer. It is always registered as a single job in the Job Processing System (JPS).
Job results
On successful job completion, the module creates a mosaic project (.mos) file, and auxiliary output files and folders. The output files are similar to those created by the Mosaic Preparation module. The files created refer only to tiles affected by the new scenes.
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